Відео

Ok, so question. I use Studio One in Show mode for a streaming . I use a backtrack that is stereo. If would i put that track in Stereo and my vocal mic in mono?

Seems so elementary, but yet there is a lot of trickles of knowledge in this that invaluable and perfectly explained. Thank you.

Randy Rhoads boosted 500hz. Tom Scholz was big on 800hz. Love those guys...✌️

Joe Gilder and Warren Huart are my favorite go to!

Yes I’m a songwriter! I’ve written over 200 songs, and have released 4 so far

Relearning Melodyne 4 Editor. This is an excellent video, thanks a bunch. I don't do a lot of tuning, but when I do it is usually just single vocal lines and this is great.

Am a songwriter, have written over 120 songs at least. After all this time I’ve realized my best stuff is without my ego in the way. One project I did was kinda a spiritual/religious type thing and I just took myself out of the equation and tried to make myself a vessel for god/angels to use me to get this music, and it really worked. This was 12-14 years ago. Not that my new ones aren’t good there’s just a disconnect in the sense that back then everything I wrote wrote itself as opposed to me thinking oh it needs this and that.

Lmao “the cable was just layin on the floor” that definitely be happening. Check the simple stuff first,

😂 too damn funny!

I like a bit of growl in a bass sound. Excellent Info Joe.

I found this video quite delightful, it's FUN Watching someone else do this tedious task! I usually run at least 12 vocal tracks, cause to be perfectly honest with you, i can't sing worth a fucking shit on a recording. But i do have a good tonal quality to my voice. So i'll pick 1 or 2 words, then 3 or 5 words off of each track until i make it sounds like i can sing. 🙂

I have studio one 5 artist...some of my panning controllers are blacked out...I'm sure I hit some button by mistake....how do I restore them? Thanks

This is a funny title that caught my attention. I've been a musician my whole life. You can't make a person with no talent "sound professional". You need someone who is a professional.

If you are mixing a song where there are acapella parts, or close to acapella, do you automate the EQ to return some of the low-mids during those parts?

Found this very interesting. I use a Neumann 87 mic for my vocal and I’ve never used EQ on it. I’ve always just allowed it, with my vocal, like an elephant, to sit wherever it likes and I’ll fit the rest of the track around it - but then I don’t do mixes either - I mix as I go. Sounds like I might be missing a trick - Never too old to learn

Man you're a great teacher. I'm learning so quick just by watching your vids, thank you so much.

Silly question maybe but why does the bass audio track look asymmetrical top and bottom? It looks totally different from the drum tracks (and my own bass tracks).

great take, mate!

good stuff

It sucks that you didn't put examples. 😅

The same way we practice 1000's of notes and only some get heard All Artists say that most of their work doesnt see the light of day

With you 1000% on subtractive equalization. Wondering why you receive push-back on it? Not to say that I don't boost, but I always cut the stuff that is distracting to the track itself

Question- when recording vocals - do you put the Reverb on the Vocal in studio one 'Before you record- or after'? I been puttin it on before I record - but am wondering if its better to do it afterwards?

Bass has always been hard for me and this video is a great help. Thank you

Well done, this was really helpful thanks.

You just opened my eyes after 3 months of pain trying to fit vocals in my song, I didn't even know what I was doing. with your instant demonstration using your own voice to make actual sounds that represent those problematic points on eq spectrum is so simple but it's exactly what opened my eyes. And compression, turned out all this time I needed to know why I need compression at all, and you showed that perfectly too. And also using de-esser after compression, I can't believe I put attack at 1 on compressor because just one day hearing all those unwanted sounds from month an esses. My de-esser was at the beginning of the chain. And also when you boosted that low mid-mid to show that boxy sound and high mids to show nasal, it was like a thousand needles put through my head because I heard this sound all these months constantly every day, because without it my vocals kept drowning in mix, and it actually problem with other instruments that I need to solve. I have cheap monitor headphones and earbuds, the next big thing I need to buy is definitely expensive monitor headphones. I hope I didn't damage my ears and I hope I stop being so stubborn

Still looking for time stamps here in 2024

Learn something new every day..🧐🤓

this is just a 6,5 minute video of a dude bragging about his skills

Great!

🎉🔥🇯🇲

Thank you for your lesson - Good advice - but what does ‘punching in’ mean ? How to do punch in in Audacity?

A tip that goes before every one of these tips, and i learned the hard way myself, is to buy the best monitors you can afford. You can't be mixing on computer monitors or stereo system speakers.

All good tips and advise i know i have a lot of room for improvement in my playing and writing, and vocally, i love feed back but it seems with youtube musicians they do not like to give it, it is rare to get a comment there are usually more views than comments or likes so i dont know maybe there is feed back if read into that.

Anything you could do to make this vocalist sound like a man?

Thanks Joe

Thank you for the video. I may try a bit of higher mid removal on a vocal I am working on now which has a similar sound as you referred to in this video. For vocal compression I use a 1176 style compressor set to 1 to 2 db of reduction, and then an LA2A style of compressor set to 6 to 7 db of reduction. Also, referencing tracks while I'm mixing is essential to me. I'm still learning, but these techniques have worked for me. Cheers.

I think anyone who puts their mind to it can make a good living in music. You gave me a bunch of great ideas as I start pursuing this route.

Great video, great analogies and great tips. Subscribed.

Any effect that brings out the "Joe stank face" is an one that needs to be a go to. Just sayin!

There are no more proper singers today , they are all fakes with no voice whatsoever but helped by all this rubbish technology .

thank you so much fo your videos

I wasnt impressed with the "Atmos" stuff. I have an 8 output interface, I have been using all of them for some surround mixes for fun for a long time... But now that I have seen wjhat Pro EQ3 can do, Im SOLD on buying an upgrade to Studio One 6 now... Thank You ,VERY informative.

Telephone vocals forever

Thank you, Joe, always, for the great content.

I was watching from a spoken word perspective. Interesting that the devil frequency is 2.6kHz - the Sennheiser MKH 416, one of the most popular spoken word mics of all time, has a pretty sharp peak at 2.5kHz. It helps with clarity of diction, and gives it its distinct sound. A -3dB notch makes it sound like a regular condenser. I guess we now know why it's not used for singing!

But why don't you touch on the subject of why not always have the lowest possible gain on the preamp if you can always turn it up later? There must be some reason for having to go for a balance... Seems like you missed this part to make this video complete. Say I play the bass, and the low B will clip unless the gain is really low but then the recorded signal on say the D string is very low (if I line directly and don't use a compressor). This means I sometimes must sacrifice some clip on some low B-string notes. Or can I just minimize the preamp gain?! But phanks :)

Absolutely best 20 minutes I have spent listening to studio tips in a long time. (maybe the “poster” suggestion could include a stone tablet look to the artwork 😄) Thanks!

Thanks for this, Joe! I needed this refresher!